In this episode we talk with Emmy nominated supervising sound editor Brent Findley and dialogue editor Bernard Weiser from the hit series Ted Lasso. They do a deep dive on how they built a massive stadium full of fans chanting “Wanker” from a small loop group for source. They also…
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In this episode we talk with Craig Henighan (Supervising Sound Editor/SFX Re-Recording Mixer), Paul Massey (Dial/Music Re-Recording Mixer) and Ryan Cole (Dialog Supervisor) from the Shawn Levy directed film, Free Guy. We talk about finding sonic space for dialog when total chaos is happening on screen, dealing with visual effects…
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In this episode we talk with the team behind the music documentary Billie Eilish: The World’s A Little Blurry. Joining us are director RJ Cutler and members of the sound team including re-recording mixers Elmo Ponsdomenech & Jason “Frenchie” Gaya as well as Supervising Sound Editor Richard E. Yawn. They…
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In this episode we talk with Supervising Sound Editor Mac Smith and Re-Recording Mixer Brandon Proctor, from the new film Nine Days. They tell us how they created the sound for a story that takes place on another plane of existence and yet is entirely recognizable. The film centres on…
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