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Category: ADR

Features talk on the process of Dialog replacement

326 – Weapons

Director Zach Cregger’s latest film, Weapons, has been both a critical and a box office success. One of the film’s biggest strengths is it’s distinctive work design created by Luciano Vignola (Supervising Sound Editor & Re-Recording MIxer), Filipe Messeder (Sound Designer & Re-Recording Mixer) and Jake O’Brien (Dialogue Editor). They…

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320 – Adolescence

Adolescence is a limited series on Netflix consisting of 4 episodes, each made up of a single continuous hour long take. This “one-er” format presented tremendous challenges to the sound team, both on set and in post production. Intense planning was needed in order to capture everything in production, and…

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312 – The Pitt

Hospitals are really hard to create sound design for. The walla and general soundscape of a hospital is very different than any other location, because they are dense but not necessarily loud. Plus there are lots of medical machines that need to be accounted for. In the new HBO emergency…

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