The new film Nuremberg is a surprisingly dense and complicated film for it’s sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic. The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor…
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Features talk on the process of Dialog replacement
In 2025 Johnnie Burn has been busy. As supervising sound editor and re-recording mixer on some of the most talked about movies of the year he has jumped between working on the emotional roller coaster Hamnet, the incredibly tense Bugonia and the terrifying 28 Years Later. Three very different films…
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It seems like Guillermo del Toro’s whole career has been leading up to Frankenstein. Part of that progression has been building a great trust with the sound team he has been collaborating with for over a decade. Supervising sound editors Nathan Robitaille & Nelson Ferreira, Re-recording Mixer Brad Zoern and…
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At this years Toronto International Film Festival I got to interview a bunch of sound people in town to support films screening at TIFF. This episode collects 3 of those interviews, covering some of the international films that I saw during the festival. First up I talk with Oscar winning…
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