Wicked For Good pushed the Oscar nominated sound team from last years blockbuster, Wicked, to go further into the sonic world of Oz. Continuing the idea that every sound making it into the film had to have an Ozian twist to it. Nancy Nugent Title (Supervising Sound Editor), John Marquis…
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Features talk on the process of Dialog replacement
This interview was recorded live, in front of a packed house, at the Glen Glenn Film Center in Hollywood California. F1: The Movie presented a multitude of complex challenges for it’s sound team, as the race cars have to sound huge and immediate and the music had to be “driving”…
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The new film Nuremberg is a surprisingly dense and complicated film for it’s sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic. The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor…
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In 2025 Johnnie Burn has been busy. As supervising sound editor and re-recording mixer on some of the most talked about movies of the year he has jumped between working on the emotional roller coaster Hamnet, the incredibly tense Bugonia and the terrifying 28 Years Later. Three very different films…
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