Crowds are so hard to make sound authentic & alive in sports films. So much work goes into designing large crowds that roar with emotion. In The Iron Claw, the wrestling scenes have crowds that sound fantastic and we have the audio team here to tell us how they created…
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A tonebenders episode
Picture Editor Hilda Rasula is joined by Supervising Sound Editor Mandell Winter and Supervising Dialog /ADR Editor Sang Jun Kim, to talk about their work on American Fiction. This film has excellent writing and acting, so it was up to the post production team to live up to those standards…
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Michael Mann’s new film “Ferrari”, is a personal drama at heart, but we all know that it is the CARS that will draw people to see this one. Fortunately those cars sound amazing and we have the sound team with us, to talk about how they created and designed those…
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Johnnie Burn joins in to talk about his work on the new Yorgos Lanthimos directed film, Poor Things. He discusses his working process with Yorgos, the sonic differences between the black and white portion and the full color parts of the film as well as how he figured out the…
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