Are you nervous about starting a new project? Don’t worry; so is everyone else, including your sound design hero, Randy Thom… Talking through the edit, scene by scene gives the director, the composer and the rest of the editorial team the chance to sort out out technical issues and determine…
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Interviews with people in the industry
We talk with Stuart Wilson about his work as Production Mixer on the extremely challenging set of Sam Mendes’ epic film 1917. The films long continuous shots presented new and unique obstacles (both physical and technical). He also worked on two other recent films in The Two Popes and Star…
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In this wide-ranging interview, René speaks with Martin Stig Andersen about the tools and techniques he’s used as a designer and composer over the course of his acclaimed career. His latest project the musical score for Remedy’s Control, has been nominated for outstanding score at the DICE Awards, GDC Awards,…
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This episode we talk to the co-supervising sound editors on Just Mercy, Onnalee Blank and Katy Wood. They talk us through the evolution of the sound of the prison interiors in the film, how to get courtroom loop group to work, and lots more. Links: Onnalee Blank on IMDB Katy…
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