This interview was recorded live, in front of a packed house, at the Glen Glenn Film Center in Hollywood California. F1: The Movie presented a multitude of complex challenges for it’s sound team, as the race cars have to sound huge and immediate and the music had to be “driving”…
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Interviews with people in the industry
Five members of the sound team from Director James Gunn’s recent Superman film, join the show to talk about giving a new sonic identity to the Superman legacy. Supervising Sound Editors David Acord & Katy Wood are joined by re-recording mixers Chris Boyes & Tim LeBlanc as well as production…
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The new film Nuremberg is a surprisingly dense and complicated film for it’s sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic. The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor…
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The latest film in the Tron franchise, Tron: Ares, expands that world’s sonic pallet in dramatic ways. The music by Nine Inch Nails is huge, the sound design is grittier and the dialog is being processed in creative and constantly changing ways. This film benefited from an international sound team,…
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