Gemma Nicholson made the leap from being a busy sound editor to a successful post production supervisor. It is not a typical career path, but it gives her insight into the sound work done on any given project. This differentiates her from many other post supervisors, that might not have…
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The Palme D’or winner from this year’s Cannes Film Festival, Anora is the latest film from director Sean Baker. Anora is also one of my favourite movies of the year so far. Co-supervising sound editors (and also the re-recording mixers) Andy Hay and John Warrin discuss how they molded the sound of…
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At the premier of Saturday Night at The Toronto International Film Festival, Director Jason Reitman made a special point of telling the audience that the sound team “put in a lot of work into making it feel like they didn’t do any work at all”. This is not the kind…
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The Sounding Board 4.0 has just been announced by The Cinema Audio Society and The Motion Picture Sound Editors! So that makes it a great time to push out this talk from last year’s Sounding Board, that was moderated by Tonebenders’ host Tim Muirhead. We have all heard many interviews…
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