For our 3rd and final episode in our series on Sound Design for Documentaries we talk with the director and sound team behind the magnificent David Bowie doc Moonage Daydream. They talk about rebuilding all the music from the original 24 track recordings, making the crowds feel realistic/immersive, merging extensive…
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discussions about field recording
We are joined by the sound team from the excellent new film, The Woman King. Production Sound Mixer Derek Mansvelt, Supervising Sound Editor Becky Sullivan and Re-Recording Mixer Tony Lamberti tell us about making the battle sequences sound extra visceral, and how the dial and battle chants went from being…
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In the second episode of our Documentary Sound Focus series we talk about the mesmerizing film, The Territory. Director Alex Pritz and composer Katya Mihailova are joined by co-sound designers Peter Albrechtsen and Rune Klausen for this in depth talk. We dig into The Territory’s use of subjective sounds, what…
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We talk with the audio team behind the smash hit film Top Gun Maverick about making the film sound bombastic and loud while also letting smaller sounds, like the pilots breathing, play prominently to build tension. Sound supervisors Al Nelson, James Mather and Bjorn Schroeder are joined by re-recording mixers…
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