Robert Egger’s latest film, Nosferatu, is loaded with dread. That feeling of dread is largely delivered by the amazing sound design created by Damian Volpe (Sound Designer, Re-recording Mixer & Supervising Sound Editor), Steve Little (Supervising Sound Editor, Dialog Editor & Supervising ADR Editor) and the rest of the sound…
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techniques for creating interesting sounds
Beetlejuice Beetlejuice is the kind of film that feels like anything can happen at any point. The wild sound design plays a large role is setting up that feeling of comedic unease. Supervising Sound Editor Jimmy Boyle, Re-Recording Mixers Chris Burdon & Gilbert Lake, Supervising Dialogue Editor Buster Flaws and…
Leave a CommentInside Out 2 takes the foundation of the original film and pushes those ideas even further, especially with sound design. Coya Elliot and Ren Klyce join the show to discuss how the glass memory balls became a much more important sound in this sequel and how they recorded and designed…
Leave a CommentAs a longtime fan of the Alien franchise, I have been looking forward to seeing director Fede Alvarez’s latest instalment Alien: Romulus. The sound team was tasked with designing an audible world that fit in with the original 1979 film but still lives in today’s definition of what blockbusters should…
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