This interview was recorded live, in front of a packed house, at the Glen Glenn Film Center in Hollywood California. F1: The Movie presented a multitude of complex challenges for it’s sound team, as the race cars have to sound huge and immediate and the music had to be “driving”…
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A step by step explanation of how something was done
Five members of the sound team from Director James Gunn’s recent Superman film, join the show to talk about giving a new sonic identity to the Superman legacy. Supervising Sound Editors David Acord & Katy Wood are joined by re-recording mixers Chris Boyes & Tim LeBlanc as well as production…
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The new film Nuremberg is a surprisingly dense and complicated film for it’s sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic. The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor…
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In this episode Patrick Spence-Thomas does a reading of Dylan Thomas’ classic “A Child’s Christmas in Wales”. Patrick sadly passed away in 2008 after an iconic career as a re-recording mixer and a location sound recordist. The first half of this episode is a quick run down on who Patrick…
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