The new film Nuremberg is a surprisingly dense and complicated film for it’s sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic. The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor…
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A step by step explanation of how something was done
In this episode Patrick Spence-Thomas does a reading of Dylan Thomas’ classic “A Child’s Christmas in Wales”. Patrick sadly passed away in 2008 after an iconic career as a re-recording mixer and a location sound recordist. The first half of this episode is a quick run down on who Patrick…
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The latest film in the Tron franchise, Tron: Ares, expands that world’s sonic pallet in dramatic ways. The music by Nine Inch Nails is huge, the sound design is grittier and the dialog is being processed in creative and constantly changing ways. This film benefited from an international sound team,…
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In 2025 Johnnie Burn has been busy. As supervising sound editor and re-recording mixer on some of the most talked about movies of the year he has jumped between working on the emotional roller coaster Hamnet, the incredibly tense Bugonia and the terrifying 28 Years Later. Three very different films…
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