We are joined by Steven Ticknor (Supervising Sound Editor) and Michael Babcock (Re-Recording Mixer) from the recent Sci-fi film “65”. The challenge of designing sound for dinosaurs and spaceships makes the soundscape especially unique. They tells us how to craft the sound of a jump scare, about the idea of…
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A step by step explanation of how something was done
We dig into the fantastic sound in Evil Dead Rise with the film’s writer/director Lee Cronin and the Sound Designer and Supervising Sound Editor Peter Albrechtsen. We talk about their creative use of ATMOS, designing scenes where sound is doing the heavy lifting and lots more. Special thanks to this…
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Dmitry and Mattia talk abDmitry and Mattia talk about their adventures recording many different animals, both big (like Lions and Wolves!) and small (Guinea pigs!). They talk about the gear they use, how to approach the creature’s keepers to gain permission to record and how to best interact with animals…
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BAFTA Award winning director Mark Jenkin joins us to talk about his unique approach to sound for his films. He shoots his films on a bolex camera entirely without sound and only adds ADR (which he records himself) after the film is edited. He also writes and records the score…
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