Andor, the latest Disney+ series from the Star Wars universe, is an exciting series for sound design. Supervising Sound Editors David Acord & Margit Pfeiffer tell us about building crowds with emotion, creating massive action sequences and the special moments when no sound at all is the scariest possible sound.…
Leave a CommentCategory: Case Study
A step by step explanation of how something was done
For our 3rd and final episode in our series on Sound Design for Documentaries we talk with the director and sound team behind the magnificent David Bowie doc Moonage Daydream. They talk about rebuilding all the music from the original 24 track recordings, making the crowds feel realistic/immersive, merging extensive…
Leave a Comment
This talk with the sound team behind director Sarah Polly’s new film, Women Talking, was recorded on location at Formosa Studios in Toronto. The film offered some surprisingly difficult sound issues, including an incredibly tricky dialog clean up and edit. Predominantly in a single location, sound was left to tell…
Leave a Comment
In this episode we have two absolutely all-timers join us for a fun talk about their long standing working relationship and their earliest memories of going to the movies. After that we dig deep into the soundscape of The Fablemans, director Steven Spielberg’s latest and most personal film to date.…
Leave a Comment