Category: ADR

We talk with Tara Webb (Sound Editor & Re-Recording Mixer) and Leah Katz (Dialog Supervisor) about the sound of Jane Campion’s The Power Of The Dog. They tell us about defining a character through sound, building expansive landscapes and using ADR to refine the story. Links: Leah Katz on IMDB…

In this episode we talk with Emmy nominated supervising sound editor Brent Findley and dialogue editor Bernard Weiser from the hit series Ted Lasso. They do a deep dive on how they built a massive stadium full of fans chanting “Wanker” from a small loop group for source. They also…

In this episode we talk with Craig Henighan (Supervising Sound Editor/SFX Re-Recording Mixer), Paul Massey (Dial/Music Re-Recording Mixer) and Ryan Cole (Dialog Supervisor) from the Shawn Levy directed film, Free Guy. We talk about finding sonic space for dialog when total chaos is happening on screen, dealing with visual effects…

In this episode we talk about the sound work done on the latest Aaron Sorkin film The Trial of the Chicago 7. We are joined by Renée Tondelli (supervising sound editor) & Michael Babcock (re-recording mixer) as they tell us all the challenges they overcame to make this protest and…