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276 – Deadpool & Wolverine

Deadpool & Wolverine is the biggest film of summer. It combines action and comedy in a rapid fire pace. The sound team behind the film joins me today to talk about how they managed dialog tracks where the main character is speaking behind a fabric mask and the importance of the interplay between iconic music drops that play over massive sound effects sequences. Supervising Sound Editors Ryan Cole and Craig Henighan are joined by re-recording mixer Lora Hirschberg and music editor Dan DiPrima for this fun discussion of the evolution of the sound from start to finish.

This episode is brought to you by Sound Ideas, check out their latest sound effects library Robots & Servos.

(L-R) Back Row: Addison Teague (Sound Design), Eric A. Norris (Sound Design), Matt Faust (Music Editor), Shane Reid (Picture Editor), Jordan Ballard (Post Production Supervisor), Craig Henighan (Supervising Sound Editor / Re-Recording Mixer), Douglas Parker (Re-Recording Mix Technician), Lee Gilmore (Sound Effects Editor) Middle Row: Emma Present (Dialog/ADR Editor), Oliver Hug (Music Editor), Dan DiPrima (Music Editor), Jennifer Stellema (Associate Editor), Dean Zimmerman (Picture Editor), Lora Hirschberg (Re-Recording Mixer), Max Gains (Shawn Levy’s Assistant), Ryan Cole (Supervising Sound Editor). Front Row: Melissa Lytle (First Assistant Sound Editor), Ryan Reynolds (Actor / Producer) and Shawn Levy (Director)
Ryan Cole’s sound edit suite while working on Deadpool and Wolverine.
Craig Henighan, Dean Zimmerman (picture Editor) and Lora Hirschberg hashing things out at the mixing desk. (Ryan Cole and Emma Present in background)
(L-R) Producer/Actor Ryan Reynolds, Supervising Sound Editor Ryan Cole and Director Shawn Levy
Deadpool and Wolverine’s Dialog Editor, Emma Present, holding Dogpool at the premier.
Sherman Brothers Mix Stage at Disney

LINKS:

Craig Henighan On IMDB

Ryan Cole On IMDB

Lora Hirschberg On IMDB

Daniel DiPrima On IMDB

Robot and Servo Effects Sound Library from Sound Ideas

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