For our 3rd and final episode in our series on Sound Design for Documentaries we talk with the director and sound team behind the magnificent David Bowie doc Moonage Daydream. They talk about rebuilding all the music from the original 24 track recordings, making the crowds feel realistic/immersive, merging extensive sound design into iconic songs and cleaning up archival dialog so it can cut through. Sound Supervisors Nina Hartstone & John Warhurst, Re-Recording Mixers Paul Massey & David Giammarco and Director Brett Morgen have stories to spare about how this great film broke new sonic ground.
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Previous Tonebenders Appearances:
Nina & John for Bohemian Rhapsody
Paul & David on Ford vs Ferrari